Look! magazine " now resides in the

" now resides in the National Gallery of Australia alongside Jackson Pollock’s Blue Poles (1952)

Following her award-winning Off to the Market

They serve as critical reflections on power dynamics and colonial legacies

and Hilary Thurlow

In his essay Peter Jones exploreshow the couple’s interests have been refined and extended by theart they love and the people that surround that art

Look! magazine " now resides in theAlex Selenitsch, a widely exhibited artist, architect, and concrete poet, delves into the graphic potential of language through striking sequences of concrete poetry. His work captivates by transforming words into visual forms, inviting viewers to engage with language in new and dynamic ways. My poems are visual representations of reading. In our culture, this activity is usually silent and optically complex. Conventional meanings are often simple