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sans regarder dans le viseur
Nikki Tempest fait repousser ses tentacules coupés
ce texte est ici retraduit et accompagné de sa réévaluation par Linda Nochlin elle-même
and yet its recent acceleration forces us to think about a world in which migration is a constant and the traditional distinction between “native” and “immigrant” is of less relevance
au fil du temps
Photography, video game, landscape meurtre sans regarder dans le viseurIn the 1990s, digital worlds were often thought of as disconnected from reality: on one side, the real and tangible. On theother, the virtual, seen as mere entertainment, with no ecological or political implications. With the spread of images generated by artificial intelligence, our shared social values being questioned, and our digital communication being exploited by platform capitalism, it is clear that virtual images have become political. In the
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